flash | secret | snag

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¡¡ NEWS !! 

flashes, secrets, and snags have been reported throughout the week of performances at UCSD’s Springfest, across multiple venues in San Diego, CA.

read the full schedule here

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If at first the idea is not absurd,
then there is no hope for it.

14 Mar 1951, Princeton, New Jersey, USA --- Albert Einstein sticks out his tongue when asked by photographers to smile on the occasion of his 72nd birthday on March 14, 1951. --- Image by © Bettmann/CORBIS

Your brain, an unfathomably capable organ, can be in more than one place at once. A nimble attention span is a symptom not of distraction, but of a curious and creative mind: observant, receptive, attuned to the unexpected.

What if live concert performance – instead of formally plodding along with one-thing-at-a-time, beaming an unmoving spotlight on the thing you are “supposed” to be paying attention to – was trip – wired with flashes and snags of alternate attention spans, momentary somersaults there-and-safely-back-again through a looking glass you didn’t even realize was there?

FLASH
An event lasting sixty-three seconds or less is prepared by [a] performer[s], and presented during the performance experience.
The event is unannounced to the audience but pre-arranged with performers.

SECRET
A thought experiment or perceptual exercise for an individual audience member,
whose undertaking will be unknown to anyone besides the person doing it.
[Secret scores are distributed to audience members through
pamphlets, signs, business cards, programme notes, online, etc.]

SNAG
Not an event-in-time; but rather an alteration to the physical, material environment of the performance space.
The snag is in place throughout the duration of the performance experience.

We are creating a workbook of scores for flashes, secrets, and snags for both open online distribution and live execution at the Hochschule für Musik Basel, Switzerland (Carlota Cáceres) & the University of California San Diego (Celeste Oram). We invite any and all imaginative humans to contribute scores—that fulfil the flash | secret | snag criteria outlined above—to this workbook. Scores can be in any or no language, and exist in any form/medium able to be embedded into a webpage (e.g. text, image, audio, video, gif, vine, tweet, javascript, html, &c).

All submitted scores will be included in the online workbook, with full credit of authorship. The workbook will also collect existing scores that satisfy the flash | secret | snag criteria. This collection is already underway – browse this website for example scores. A selection of scores from the workbook will be presented in Basel and/or San Diego throughout 2015-2016. A log of the scores presented will be recorded online. Our dual presentation of the scores in Basel & San Diego will serve as an alpha-test of the concept. We’ll be logging and blogging about our successes and failures as we go: in essence, developing a performance practice for picking apart the formal, linear frame of the concert experience.

The deadline for scores to be included in the workbook’s initial launch is September 15th, 2015. We will happily take rolling submissions later throughout the year; the workbook will be regularly updated. Send us your flashes, secrets & snags (okay, not those kinds of flashes and secrets, please) to flash.secret.snag@gmail.com. Please include your name and the date of composition.

The International Sign for flash | secret | snag is a banana. The presence of a banana (real or represented) in a performance environment indicates that one or more flash | secret | snag scores will be presented in that performance.

Click the + below to browse and search scores…

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armpit art audience ay-o balloons bees body book breath caroline miller carolyn chen cellphones chair chairs choir closeup conductor counting curtain cut dance dental hygiene elbow environment exit eyes fan finger fire flash food foyer fruit game george brecht glitter globe goni peles hand hands head hum instruments kirsten strom language larry miller lights listening machines marble material mechanics mirror mouth music name no instruments noisy object obstacle orchestra painting paper percussion phone piano pineapple posture program programme quiet random recording reuben jelleyman ringtone score seats secret shout sign silent sing sleep snag solo song sound sparkle speech stage stranger text tongue travel waiver warren enstrom watching whisper writing yoko ono

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